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Star Wars is a science fantasy saga and fictional galaxy created by writer / producer / director George Lucas during the 1970s. The saga began with the film Star Wars (later retitled Star Wars Episode IV: A New Hope), which was released on May 25, 1977, by 20th Century Fox. The film became a worldwide pop culture phenomenon - spawning five more feature films, three spin-off films, five television series and an extensive collection of licensed books, comics, video games, action figures, trading cards, card games, and other products - all of which are set within a fictional "galaxy far, far away." An example of the space opera genre, the
Star Wars story employs archetypal motifs common to both science fiction
and mythology, as well as the romantic music motifs now often associated
with those genres.
Setting Each Star Wars film opens with the text, "A long time ago in a galaxy far, far away...." Lucas intended this as an allusion to the classic fairy tale opening of, "Once upon a time, in a faraway land..." This is the only way the Star Wars Galaxy has been defined in relation to the real world. To some, Lucas's allusion suggests that the films are to be interpreted as allegorical and metaphorical narratives of the future, rather than literal events of the past. Lucas intentionally left the details open to interpretation. Events occur in the Star Wars galaxy; although the film series itself spans the events of only two generations, other stories set in the Star Wars universe (those from the so-called "Expanded Universe") cover events that span millennia. The Star Wars films use an opening text to provide the audience with the background to the story. Lucas emulated the Flash Gordon serials by having his opening text "crawl" up the screen from bottom to top at a high pitched angle, as if the text were disappearing into the distant starscape. Also in all Star Wars films, a starship of some kind whooshes by after the crawl disappears completely. In a May 15, 2005, interview with the Chicago Sun-Times, Lucas described the creation of the distinctive crawl: "The crawl is such a hard thing because you have to be careful that you're not using too many words that people don't understand. It's like a poem. I showed the very first crawl to a bunch of friends of mine in the '70s. It went on for six paragraphs with four sentences each. Brian De Palma was there, and he threw his hands up in the air and said, 'George, you're out of your mind! Let me sit down and write this for you.' He helped me chop it down into the form that exists today." The saga shows us a very "ancient" galactic civilization thousands of years old. The setting is totally unrelated to Earth or our galaxy, which gives it more liberty, in a sense. The Star Wars Galaxy prominently features aliens who are essentially identical to humans. Their civilization was able to develop space travel, terraform, build ecumenopolises and build space colonies 200,000 years "ago."[citation needed] Star Wars melds science with supernatural elements that strongly relate to epic stories and fairy tales (for example, magic, knights, witches, princesses and 'whimsical' alien races such as Ewoks and Gungans). The scope of Star Wars history spans over 5,100 years among all the Star Wars fiction produced so far (from Tales of the Jedi to Star Wars: Legacy), even though the films span only two generations. Later novels from a series dubbed New Jedi Order opened up the Star Wars setting with alien beings named Yuuzhan Vong that came from a different galaxy. Most aliens prior to this series came from the one galaxy in which the films are set.
A young boy named Anakin Skywalker, incredibly strong with the Force, is discovered by Jedi Master Qui-Gon Jinn, and his padawan Obi Wan Kenobi. Qui-Gon believes Anakin is the Chosen One, prophesied to bring balance to the Force. After Qui-Gon is killed by Darth Maul, Obi Wan defeats the Sith apprentice and then, over the strong objections of Master Yoda, decides to obey his master's final wish to train the boy. Anakin grows powerful with the Force, and his skill causes him to become arrogant and chafe against Obi-Wan's training, which he feels is restrictive. Against the strictest rules of the Jedi Order, Anakin falls in love with Padmé Amidala, queen, and later senator, of Naboo. The two wed in secret, forbidden for a Jedi as it can create a fear of loss that can lead to the Dark Side of the Force. The Clone Wars begin to rage through every part of the known galaxy, and the Jedi fight tirelessly to bring peace back to the Republic. Anakin and Padmé continue to keep their marriage a secret, but soon Padmé becomes pregnant. Although thrilled by the news, Anakin begins to have visions of Padmé's death. The secretive nature of their relationship forces him to seek help outside of the Jedi order, and he desperately asks Palpatine, now the Chancellor, (secretly Darth Sidious) for help. Sidious seizes this opportunity to tempt Anakin to the Dark Side, promising that Padmé can be saved if Anakin joins the Sith. His guile succeeds, forcing Anakin to abandon the Jedi when he intervened in a lightsaber duel between Jedi Master Mace Windu and Palpatine, severing Windu's hand before Palpatine kills him with Force Lightning. At this point Anakin has become the Sith Lord Darth Vader who goes on to hunt down and destroy all the remaining Jedi in the galaxy (see Order 66 for more on the demise of the Jedi order). Tragically, Anakin is still unable to save Padmé, and becomes directly responsible for causing her death. Padmé dies giving birth to twins, whom she names Luke and Leia. The twins are given to two separate willing parties for safety: Luke to Anakin's step-brother Owen Lars and his wife Beru on Tatooine; Leia to Senator Bail Organa and his wife on the planet Alderaan. Obi Wan-Kenobi and Yoda, the last remaining Jedi, exile themselves, Obi-Wan on Tatooine (presumably to watch over Luke), Yoda on the bog-like world of Dagobah. Sidious (as Palpatine) turns the Galactic Republic into the First Galactic Empire, himself as its Emperor. Episodes IV, V, and VI (the Galactic Civil War) pick up approximately nineteen years after the events of Episode III, during the Galactic Civil War, a lengthy conflict which leads to the downfall of the Galactic Empire at the hands of the Rebel Alliance. These films follow the story of Luke Skywalker, the son of Anakin Skywalker (now the black-clad Darth Vader), and his rise in the rebellion against the Empire. Leia, princess and a member of the Imperial Senate for Alderaan, sends a message for help to Obi-Wan Kenobi by means of R2-D2. She is intercepted by Darth Vader, and is brought to the sinister Grand Moff Tarkin. Luke inadvertently intercepts the message and meets Kenobi. Leia is forced to witness the destruction of her home-world by the dreaded Death Star. After the murder of his aunt and uncle by Imperial Stormtroopers, Luke joins the ragtag Rebel Alliance — traveling with Kenobi, his sister Leia Organa (who he does not realize is his sister until later, in Episode VI), smuggler Han Solo, Solo's Wookiee companion Chewbacca, and the droids C-3PO and R2-D2. The Rebel Alliance eventually destroys the Death Star and Tarkin. Luke trains with Kenobi and, after Kenobi's death at the hands of Vader, the exiled Yoda to become a Jedi like his father, who he believes was betrayed and murdered by Darth Vader. When Luke learns the truth — that his father is Darth Vader — he is profoundly shaken. Despite this, Luke successfully resists the efforts of Vader and Palpatine to turn him to the Dark Side, and instead succeeds in turning his father back to the Light Side of the Force. Vader, having turned from the Dark Side, fulfills the Prophecy of the Force when he throws Emperor Palpatine into the Death star's reactor in order to save his son, but is mortally wounded in the process. In killing Palpatine, Anakin comes full-circle to prove that he was the Chosen One who would bring balance to the Force by destroying the Sith. Meanwhile, the Rebel fleet (led in part by Solo's friend Lando Calrissian) scores a decisive victory against the Empire by destroying the second Death Star. The Rebel Alliance's victory eventually leads to the end of the Galactic Civil War and the downfall of the Empire.
On a larger scale, there are many parallels between the original trilogy and the prequel trilogy; the stories of Anakin Skywalker and Luke Skywalker echo and reflect each other in myriad ways. The Force is one of the most recognizable elements of the Star Wars series. It is described by Obi-Wan Kenobi in the original Star Wars film as, "An energy field created by all living things. It surrounds us, penetrates us, and binds the galaxy together." Those who can use the Force, such as the Jedi, can perform feats of telepathy, psychokinesis, prescience, clairvoyance, and mental control. Two aspects of the Force are emphasized: the light side and the dark side. The light side of the Force is the facet aligned with good, benevolence, and healing. The dark side of the Force is aligned with fear, hatred, aggression, and malevolence. Jedi, followers of the Light, believe that knowledge serves as a guide and path to power, whereas the Sith rely on the Dark Side in the belief that power brings knowledge and understanding. The dark side seems more powerful, especially to those who use it, because it is driven by rage and hatred — its effects are more direct and easier and faster to achieve. In reality, neither the light nor the dark side of the Force is stronger than the other, each possessing its own advantages and disadvantages. For example, the dark side conveys an inherent disadvantage to its users, which is arrogance and overconfidence in their own abilities. However, this aggression allows its acolytes to become more formidable warriors — illustrated when Luke is able to finally overcome his father in battle because of his anger at the thought of his sister turning to the dark side. On the other hand, Jedi can occasionally become crippled by their compassion and act "soft." This is balanced by an ability to remain calm even in extreme circumstances.
Prior to writing the script for Star Wars, George Lucas originally wanted to make a film of Flash Gordon. The rights for Flash Gordon, however, were held by Dino De Laurentiis, and Lucas decided to work on his own science fiction project instead. It is thought that the setting for the Star Wars universe came from Isaac Asimov's Foundation Trilogy, published in the early 1950s. This saga also involves a galaxy teeming with inhabited worlds held together by a collapsing galactic empire using hyperdrives (for long-distance transportation). It also features the planet Trantor, which is entirely covered by the galaxy's capital, similar to Coruscant, and the protagonist of Foundation and Empire is Lathan Devers, a character resembling Han Solo. Even lightsabers have precursors in the The Foundation Trilogy as force field penknives. The planet Korrell is thought to be the basis of the planet Corellia.[citation needed] It is often argued that Star Wars was influenced by Frank Herbert's classic science fiction book Dune. Many elements of Star Wars are also evident in Dune.[3] There are so many similarities, in fact, some Dune devotees consider Star Wars little more than a campy film adaptation of Herbert's work. While this is certainly an exaggeration, many of the similarities are striking. For example, both Dune and Star Wars are set on desert planets. Both stories feature a mystical knighthood of sorts — the Jedi in Star Wars and the Fremen of Dune. In both stories the hero is a messiah-like character, uses mystical powers, exhibits mind control (Jedi mind trick/the Voice), and duels opponents with sword-like weapons. Finally, both stories describe a corrupt empire and the hero's efforts to overcome it. Some comic book fans have drawn parallels between Star Wars and Jack Kirby’s epic Fourth World series, published by DC Comics. The cosmos-spanning series of titles was never completed because DC canceled it, citing low sales. At the heart of the series was the battle between Orion of the New Gods and his villainous father, Darkseid (pronounced “dark side.”) Orion called upon the mystical force known as "the source" to aid him in this struggle. The Death Star is somewhat reminiscent of Apokolips, Darkseid’s home planet. Likewise, Darkseid's headpiece is similar in structure to Vader's. Furthermore, Orion, like Luke Skywalker, was separated from his evil father at birth, growing up ignorant of his true parentage. Also like Skywalker, Orion was mentored by an old man who carried a staff and was far more powerful than his appearance suggested; the Highfather. Finally, both Orion and Skywalker are forced to struggle not only against their biological father's dreams of universal conquest but also against their own inner darkeness. Also, Darth Vader shares some visual similarities with Kirby’s armored über-villain Dr. Doom, co-created with editor/scripter Stan Lee at Marvel Comics. The Star Wars saga has also been influenced by historical events; Lucas claims to have drawn on ancient Rome, World War II and the Vietnam War for inspiration. The reference to the historical past can be seen with Lucas's use of 'stormtroopers', commonly associated with the stormtroopers of World War I Germany and Nazi Germany, and also associated with the SS under Hitler in World War II. These troopers acted as the Nazi party’s military force, under Hitler’s direct control. Similarly, the stormtroopers of Star Wars acted as the Empire’s military force, under Palpatine’s direct control. Lucas also based the space battles in A New Hope on World War II-era aerial dogfights. The rise of Palpatine mirrors Hitler in that a democracy becomes an empire. Even Star Trek is said to have had a limited influence on Star Wars. Gene Roddenberry's intergallactic vision among humans has long been a staple for these concepts. A reference to ST is used in Episode V when an Empire commander mentions a cloaking device, a device used by Romulans, to describe the disappearance of the Millennium Falcon. It's been mentioned that Lucas wanted to label the Falcon's light speed capabilities as "warp drive" but was advised against it because at the time Roddenberry was looking into doing the Star Trek Phase II TV show and didn't want to start a conflict.
Other sources, including publicly available draft scripts of Star Wars, show that Lucas had an incomplete and quickly-changing conception of the Star Wars story up until the release of the first film in 1977. Story elements such as the Kaiburr crystal present in early scripts are missing entirely in the films, while names were freely exchanged between different planets and characters — "Organa Major" being the original name for Alderaan, for instance (Organa later became Princess Leia's surname). Even as late as the production of The Empire Strikes Back and Return of the Jedi, there were significant differences from the films which emerged — for example, Lando Calrissian being a clone from the Clone Wars and the climactic battle of Return of the Jedi taking place against two Death Stars orbiting the Imperial capital planet, then known as Had Abbadon.[5] Another version of the Return of the Jedi script had Luke turning to the dark side after killing Darth Vader. Leia would then become the next Jedi to fight the dark side. This did not happen, however, because Lucas felt that the ending would be too dark, especially for children, who were a major target audience. Also, George Lucas had the script of The Empire Strikes Back saying that "Obi-Wan killed your father," all the while having the "I am your father" line in mind. Since Darth Vader's voice was overdubbed by James Earl Jones, the true line was revealed in post-production.[6] In addition, the story released as the novel Splinter of the Mind's Eye was intended as a possible direction for a low-budget Star Wars sequel — however, the success of A New Hope allowed Lucas to pursue the more ambitious The Empire Strikes Back instead. Lucas has been criticized for allegedly deviating from his original conception of the universe that was introduced in the original 1977 film. It has been theorized by some that developments in the later films, including (but not limited to) the revelation of Darth Vader as the father of Luke Skywalker, the revelation of Princess Leia as Luke's sister, and the progression of Darth Vader from a powerful lackey serving under Grand Moff Tarkin to a much-feared military leader answerable only to the Emperor (as well as the overall Star Wars Saga's shift in focus from Luke to Vader as the main character) go completely against the history/characters/relationships that were established in the original 1977 film. The Star Wars prequel trilogy has also been accused of similar retroactive changes that were allegedly not part of Lucas' original concept for Star Wars. For his part, Lucas claimed in a segment filmed for the THX-remastered VHS release of the original trilogy that the original Star Wars story was intended as a single film but was later split into three because the story was too long to be told in a single film. In the DVD commentaries for the original trilogy, Lucas claims that many story elements were changed within the production of the films — for instance, the attack on the Death Star in A New Hope was moved from the end of the trilogy in order to strengthen A New Hope on its own merits, while the character of Chewbacca established the Wookiees as a technologically advanced race, necessitating their replacement with Ewoks in Return of the Jedi. Other changes, including the death of Obi-Wan in A New Hope, were made during the filming. Lucas also stated in the commentaries that the prequel stories existed only as "notes" explaining the backstories of characters such as Obi-Wan. In an interview with Wired prior to the release of The Phantom Menace, Lucas remarked that he had allowed the publication of novels written as sequels to the films (see Expanded Universe) because he would never make the sequels himself. Lucas's history of different statements regarding his future and past plans for the Star Wars saga have caused a great deal of popular confusion, while drawing criticism from some. For example, some still believe that Lucas's original plan was for a "trilogy of trilogies," based on early statements made by Lucasfilm regarding sequels. For more information on the supposed sequel trilogy, see Sequel trilogy (Star Wars). It has been reported that Lucas's original script was almost 500 pages long. The title, originally The Adventures of Luke Starkiller, was changed several times before becoming Star Wars Episode IV: A New Hope.[citation needed]
There were countless problems during the production of Episode IV, and few critics expected the film to achieve the measure of success it did. Many problems with effects, editing, funding, and shooting caused the film to be pushed back from its expected release date of December 1976. The production company, not to mention many involved in the actual production, had little faith in the movie. According to reports, it was a daily struggle merely to complete the film on time. Despite these difficulties, the first film was released on May 25, 1977, and became a surprise hit. Though its novelization had hit the shelves six months earlier, the book had not seen nearly the amount of interest that the film would draw. Many consider the phenomenal popularity of its first release due to the need for escapism after the experiences of Vietnam and Watergate. Throughout the first half of the 70's, baby-boomers (like Lucas himself) were getting more involved in filmaking along with Coppola, Scorcese, Freidken and others only to express dark and gritty realism in their films. Star Wars offered an escape from these confining realities.
Both the "original trilogy" and the "prequel trilogy" were released over a period of six years (1977–1983 and 1999–2005, respectively), each movie taking two years to produce.
Williams' scores for the original trilogy were primarily motif-based: individual characters and settings were each given their own, unique musical theme which would identify their presence in the film, whether physically or figuratively. By combining and varying these motifs, Williams could create a score possessed of a rich, interwoven fabric. By the time of the prequel trilogy, however, Williams had grown and changed as a composer. His new scores de-emphasized motifs, tending to weave them subtly into a broader and more dynamic musical composition. He had also expanded his use of thematic motifs, using the technique to highlight the emotional or archetypal structure of the film, rather than the more literal associations to character and setting used in the earlier scores.
In 2004, in addition to an extensive and comprehensive hi-definition digital cleanup and restoration job by Lowry Digital, the original films were changed once again for their release on DVD. In these new versions of the films, in addition to new scenes and major image adjustments designed to make the films visually resemble the prequels, a few changes which had been made for the 1997 Special Editions were removed. With this release, Lucasfilm created a new high-definition master of the films, which will be used in future releases as well. Although the original films have undergone significant alterations over the years, the prequel films have received only minor changes from their theatrical versions. The DVD releases of The Phantom Menace, Attack of the Clones, and Revenge of the Sith have had such elements altered as small additions of scenes, touch-ups in effects, and small sound changes. For many years, Lucas has stated that the original, unaltered versions of the trilogy would never be released again, having been released for the last time on VHS and Laserdisc in 1995. However, on May 3, 2006, Lucasfilm announced on the official Star Wars site that due to "overwhelming demand", the original versions would be released on DVD on September 12, 2006. Each film was released as a two-disc set with the 2004 versions of the films on one disc, and the original, unaltered film on the second disc, as a bonus feature. The set is only available until December 31, 2006, then will be withdrawn from the market. There has been controversy surrounding this release, since it was revealed that the DVDs featured non-anamorphic versions of the original, unaltered films based on laserdisc releases from 1993 (as opposed to newly-remastered, film-based transfers). Since non-anamorphic transfers fail to make full use of the resolution available on widescreen sets, many fans were upset over this choice.
Additionally, Lucas has hinted in the past that he will release his definitive (often called "archival") editions of all six of his Star Wars films on a next-generation home-video format in 2007. This release would coincide with the 30th anniversary of the Star Wars saga. It has been speculated that he will take this opportunity to make any final adjustments, changes, additions, and/or subtractions to his films for this final release. An altered clip from The Phantom Menace included in a featurette on the DVD release of Revenge of the Sith (in which a computer generated Yoda replaces the original puppet) appears to be a sign that the "archival" editions are indeed in the works. It is said that this edition will be released in a "Grand Saga" box set. Lucasfilm Vice President of Marketing Jim Ward confirmed that in this final release, Lucasfilm is likely to return to John Lowry to do even more work on the films (possibly digital contemporization of the original trilogy). He says, "As the technology evolves and we get into a high-definition platform that is easily consumable by our customers, the situation is much better, but there will always be work to be done."[9] Producer Rick McCallum has also explained that Lucasfilm has been holding back a large amount of bonus material for this release, including deleted scenes, as well as numerous previous Star Wars "making-ofs," spin-offs, television specials, documentaries, and other special material. There has been much hope for another Star Wars trilogy but George Lucas has said that there are no plans for episodes 7, 8, and 9.
In 1999, to promote Episode I: The Phantom Menace, the remaining "Special Edition" films (V and VI) aired on U.S. broadcast network Fox (they bypassed pay-per-view and premium cable for direct broadcast airing). That same year, Fox acquired all television rights to Episode I after the premium cable networks declined due to cost. A similar situation nearly happened with Attack of the Clones, until HBO struck a last-minute deal with Fox and Lucasfilm for the exclusive pay-cable rights. Episode II, like its predecessor, never saw prior pay-per-view cable release, but it did run on HBO and sister network Cinemax during its 18-month term of license. The Fox network acquired the U.S. network television rights. In April/May 2005, to promote the then-upcoming Episode III: Revenge of the Sith, Episodes I, IV, V, and VI were placed in limited syndicated television distribution, while the Fox network was able to air Episode II in mid-May, prior to Episode III's initial theatrical release. During negotiations for the cable rights to Episode II, HBO/Cinemax also struck a first-look deal for Episode III, which they accepted and is currently on its initial 18-month term of license (it was also the only Star Wars prequel film to see any pay-per-view cable issue). In addition, the Time Warner-owned networks were able to win the right to become the first U.S. television network system (cable or broadcast) to air all six films in the saga, and Cinemax will air them beginning November 2006 in High Definition. The six films will also be repeated on HBO in High Defenition. The versions of Episodes IV, V, and VI that will be aired will be the 2004 DVD Special Editions, as they are the current canonical versions. In the UK, Sky purchased the rights to air all six movies in August 2006, becoming the first English-language television network to air all six films, which will be aired in order of release, beginning with the original Episode IV. Afterwards, the episodes will continue to be shown during the "100 films a month" cycles on Sky Movies. Meanwhile Spike TV, in a separate deal, acquired the commercial broadcast rights to Episode III, including the right to become the first broadcast network to air all six films (the deal takes effect in April 2008). From late December 2006 to early January 2007, Star Movies Asia will show Star Wars the complete saga from "The Phantom Menace" up to "The Return of the Jedi" with the back-to-back premiere on December 31. 2006 is The Making of Star Wars episode 3: "Revenge of the Sith" and the movie "Revenge of the Sith". The movies will be shown every Sunday 9:00pm HK/10:00pm Mal starting Dec. 17, 2006.
George Lucas retains ultimate creative control over the Star Wars universe. For example, the death of central characters and similar changes in the status quo must first pass his screening before authors are given the go-ahead. In addition, Lucasfilm Licensing devotes considerable effort to ensure continuity between the works of various authors across multiple companies. Some purists reject the Expanded Universe as "Apocrypha", believing that only the events in the film series are part of the "real" Star Wars universe. However, elements of the Expanded Universe have been adopted by Lucas for use in the films. These included the name of the Republic/Empire capital planet, Coruscant, which first appeared in Timothy Zahn's novel Heir to the Empire before being used in The Phantom Menace, while a character introduced in Dark Horse Comics' Star Wars series, a blue Jedi Knight named Aayla Secura, was liked enough by Lucas to be included as a character in Attack of the Clones (and is seen meeting her demise in Revenge of the Sith in an ambush on the jungle planet Felucia). Production Release date
Star Wars fiction flourished during the time of the original series (1977-1983) but slowed to a trickle afterwards. In 1991, however, Timothy Zahn's celebrated Thrawn Trilogy debuted, sparking a new interest in the Star Wars universe. Since then, several hundred tie-in novels have been published by Bantam and Del Rey. A similar resurgence in the Expanded Universe occurred in 1996 with the Steve Perry novel Shadows of the Empire, Bantam set between Episodes V and VI, and accompanying video game and comic book series. LucasBooks radically changed the face of the Star Wars universe with the introduction of the New Jedi Order series, which takes place some 20 years after Return of the Jedi and stars a host of new characters alongside series originals. However, several significant events which occur during the course of this series (such as the death of a major film character) have sparked much fan criticism.
Two different official tabletop role-playing games have been developed for the Star Wars universe– a version by West End Games in the 1980s and 1990s, and one by Wizards of the Coast in the 2000s. In the Lego Star Wars: The Video Game and Lego Star Wars II: The Original Trilogy the movies are played in a different way. And in Empire at War, players can take control of either the empire or the rebellion and fight for control of the galaxy.
In 2002, Lucasfilm sponsored the first annual Official Star Wars Fan Films Awards, officially recognizing filmmakers and the genre. Because of concerns over potential copyright and trademark issues, however, the contest remains open only to parodies, mockumentaries, and documentaries. Fan-fiction films set in the Star Wars universe are ineligible. Initially this limitation caused an outcry for those interested in creating serious fan-fiction for a competition. While many of the serious fan films have used elements from the licensed Expanded Universe to tell their story, they are obviously not considered an official part of the Star Wars canon. Lucasfilm, for the most part, has allowed but not endorsed the creation of these derivative fan-fiction works, so long as no such work attempts to make a profit from or tarnish the Star Wars franchise in any way. Lucasfilm's open support and sanction of fan creations is a marked contrast to the attitudes of many other copyright holders. Some owners, such as Paramount Pictures with the Star Trek properties, have been known to actively discourage the creation of such works by fans. Star Wars can mean: The Star Wars saga, a series of science
fiction/fantasy films and related media
In late 1977, at the height of the original Star Wars craze, comedian Bill Murray portrayed Lounge Lizard Nick Winters on Saturday Night Live and sang a swanky version of the Star Wars theme, complete with inane improvised lyrics.[11] Other songs based on the Star Wars saga
include The Star Wars Gangsta Rap and Star Wars Cantina. Star Wars Episode IV: A New Hope, originally released as Star Wars, is a 1977 science fantasy film written and directed by George Lucas. It is the first of six films released in the Star Wars saga; three later films precede the story in the series' internal chronology. Among fans, the title is commonly abbreviated as "ANH".[1] The film is set nineteen years after the formation of the Galactic Empire; construction has finished on the Death Star, a weapon capable of destroying a planet. After Princess Leia, a leader of the Rebel Alliance, steals the weapon's plans in the hope of finding a weakness, she is captured and taken to the Death Star. Meanwhile, a young farmer named Luke Skywalker meets Obi-Wan Kenobi, who has lived in seclusion for years on the desert planet of Tatooine. When Luke's home is destroyed, Obi-Wan begins Luke’s Jedi training as they attempt to rescue the Princess from the Empire. Inspired by films like Flash Gordon and such literary works as The Hero with a Thousand Faces, Lucas began work on Star Wars in 1974. Produced with a budget of US$11 million and released on May 25, 1977, the film became one of the most successful of all time, earning $798 million worldwide during its original theatrical release. It was re-released several times, sometimes with significant changes; the most notable versions were the 1997 Special Edition and the 2004 DVD, which were modified with CGI effects and recreated scenes. Production Lucas finished a draft of the screenplay in May 1974. As the draft developed, the characters evolved significantly. Early in development, Luke Skywalker's character changed from a 60-year-old general to a member of a family of midgets;[2][4] the Corellian smuggler, Han Solo, was envisioned as a large, green-skinned monster with gills.[4] Chewbacca was inspired by Lucas' Alaskan malamute dog, Indiana, who often acted as the director's "co-pilot" by sitting in the passenger seat of his car.[4] The Force, a mysterious energy field, was initially conceived as the Kyber crystal, a "galactic holy grail".[5][2] The completed script was too long for one movie; however, Lucas refused to condense it. Instead, he expanded the first third of it into one movie and left the rest for two future films, effectively creating the original Star Wars trilogy.[6][2] Lucas hired conceptual artist Ralph McQuarrie to create paintings of certain scenes during screenwriting. When Lucas delivered his screenplay to the studio, he included several of McQuarrie's paintings.[7] 20th Century Fox approved a budget of $8,250,000; American Graffiti's positive reviews allowed Lucas to renegotiate his deal with Alan Ladd, Jr. and request the sequel rights to the film. For Lucas, this deal protected Star Wars' unwritten segments and most of the merchandising profits.[2][8] In 1975, Lucas founded the visual effects company Industrial Light & Magic (ILM) after discovering that 20th Century Fox's visual effects department had been disbanded. ILM began its work on Star Wars in a warehouse in Van Nuys, California. Most of the visual effects used motion control photography, which creates the illusion of size by employing small models and slowly moving cameras. Model spaceships were constructed on the basis of drawings by Joe Johnston, input from Lucas, and paintings by Ralph McQuarrie. Lucas opted to abandon the traditional sleekness of science fiction by creating a "used universe" in which all devices, ships, and buildings looked aged and dirty.[2][9][10] Lucas clashed with Director of Photography Gilbert Taylor, whom producer Gary Kurtz called "old-school" and "crotchety".[2] Moreover, with a background in independent filmmaking, Lucas was accustomed to creating most of the elements of the film himself. His camera suggestions were rejected by an offended Taylor, who felt that Lucas was over-stepping his boundaries by giving specific instructions. Lucas eventually became frustrated that the costumes, sets and other elements were not living up to his original vision of Star Wars. He rarely spoke to the actors, who felt that he expected too much of them while providing little direction. His directions to the actors usually consisted of the words "faster" and "more intense".[2] Alan Ladd, Jr. offered Lucas some of the only support from the studio; he dealt with scrutiny from board members over the rising budget and complex screenplay drafts. After the film became two weeks over schedule, Ladd, Jr. told Lucas that he had to finish production within a week or he would be forced to shut down production. The crew split into three units, led by Lucas, Kurtz, and production supervisor Robert Watts, respectively. Under the new system, the project met the studio's deadline.[2][13] Star Wars was originally slated for release in Christmas 1976; however, massive delays pushed the film's release to summer 1977. Already anxious about meeting his deadline, Lucas was shocked when his editor's first cut of the film was a "complete disaster". After attempting to persuade the original editor to cut the film his way, Lucas replaced the editor with Paul Hirsch and Richard Chew. He also allowed his then-wife Marcia Lucas to aid the editing process while she was cutting the film New York, New York with Lucas' friend Martin Scorsese. Richard Chew found the film had an unenergetic pace; it had been cut in a by-the-book manner: scenes were played out in master shots that flowed into close-up coverage. He found that the pace was dictated by the actors instead of the cuts. Hirsch and Chew worked on two reels simultaneously; whoever finished first moved on to the next.[2] During production, the cast attempted to make Lucas laugh or smile as he often appeared depressed. At one point, the project became so demanding that Lucas was diagnosed with hypertension and exhaustion and was warned to reduce his stress level.[2][13] Post-production was equally stressful due to increasing pressure from 20th Century Fox. Moreover, Mark Hamill's face was injured in a car accident, which made reshoots impossible.[13] Meanwhile, ILM was struggling to achieve unprecedented special effects. The company had spent half of its budget on four shots that Lucas deemed unacceptable.[13] Moreover, theories surfaced that the workers at ILM lacked discipline, forcing Lucas to frequently intervene to ensure that they were on schedule.[2] With hundreds of uncompleted shots remaining, ILM was forced to finish a year's work in six months. Lucas inspired ILM by editing together aerial dogfights from old war films, which enhanced the pacing of the scenes.[2] During the chaos of production and post-production, the team made decisions about character voicing and sound effects. Sound designer Ben Burtt had created a library of sounds that Lucas referred to as an "organic soundtrack". For Chewbacca's growls, Burtt recorded and combined sounds made by dogs, bears, lions, tigers, and walruses to create phrases and sentences. Lucas and Burtt created the robotic voice of R2-D2 by filtering their voices through an electronic synthesizer. Darth Vader's breathing was achieved by Burtt breathing through the mask of a scuba tank implanted with a microphone.[15] Lucas never intended to use the voice of David Prowse, who portrayed Darth Vader in costume, because of Prowse's English West Country accent. He originally wanted Orson Welles to speak for Darth Vader. However, he felt that Welles' voice would be too recognizable, so he cast the lesser-known James Earl Jones.[16] Nor did Lucas intend to use Anthony Daniels' voice for C-3PO. Thirty well-established voice actors, such as Stan Freberg, read for the voice of the droid. According to Daniels, one of the major voice actors recommended Daniels' voice for the role.[2][4] When Lucas screened an early cut of the film for his friends, among them directors Brian De Palma and Steven Spielberg, their reactions were disappointing. Spielberg, who claimed to have been the only person in the audience to have enjoyed the film,[2] believed that the lack of enthusiasm was due to the absence of finished special effects. Lucas later said that the group was honest and seemed bemused by the film. In contrast, Alan Ladd, Jr. and the rest of 20th Century Fox loved the film; one of the executives cried during screening. Lucas found the experience shocking and rewarding, having never gained any approval from studio executives before.[2] Although the delays ballooned the budget from $8 million to $11 million, the film was still the least expensive of the Star Wars saga.
On Tatooine, the droids navigate the desert until they are captured by Jawas. The next day, the Jawas sell the droids to Owen Lars and his nephew, Luke Skywalker. Luke accidentally triggers part of the holographic message, making him suspect that R2-D2 is stolen property belonging to "Obi-Wan Kenobi." Returning to his garage at sunset, Luke discovers that R2-D2 has escaped. After finding him, Luke and C-3PO are attacked by Sandpeople and rescued by Obi-Wan Kenobi. Luke and the droids are brought to Obi-Wan's hut, where Obi-Wan tells of his days as a Jedi Knight and reveals to Luke that his father was also a Jedi skilled in a mysterious energy field called the Force. When Luke asks how his father died, Obi-Wan replies that he was "betrayed and murdered" by Darth Vader. Finally, they view the holographic message from Princess Leia, who asks Obi-Wan to take the droid and the plans to the planet Alderaan. Obi-Wan invites Luke to accompony him to Alderaan; Luke refuses, citing his household responsibilities. After returning home, Luke discovers that his family has been murdered and his home has been destroyed by the Stormtroopers looking for the droids. He returns to Obi-Wan and decides to go to Alderaan and become a Jedi. At Mos Eisley Spaceport, the group encounters a smuggler named Han Solo, who agrees to transport them on his ship, the Millennium Falcon. When Obi-Wan and his companions reach the ship, they are attacked by Stormtroopers. They hastily board the Millennium Falcon, make a speedy launch, and dodge attacks in space before escaping to lightspeed. Meanwhile, Leia has resisted interrogation on the Death Star. When threatened with the destruction of her home planet of Alderaan, however, she bluffs and states that the Rebel Base is on Dantooine. Grand Moff Tarkin destroys Alderaan anyway, as a display of the Death Star's power. En route to Alderaan, Obi-Wan instructs Luke in the Force. When they arrive at Alderaan's location, the crew discovers only a hail of debris and a moon-sized space station - the Death Star. A tractor beam pulls the Falcon into the Death Star; inside, Obi-Wan attempts to disable it so that the group can escape. Upon learning that Leia is awaiting execution in a nearby prison cell, the rest of the group navigates through the station and rescues the princess. After deactivating the tractor beam, Kenobi engages in a lightsaber duel with Vader. The duel distracts the guards, allowing Luke and his companions to board the Falcon. Once he sees that they are safely near the ship, Obi-Wan allows Vader to strike him down. Luke screams in horror, gaining the attention of the Stormtroopers, who attack Luke and his companions. Spoilers end here. Releases The film became an instant success; within three weeks of the film's release, 20th Century Fox's stock price doubled to a record high. Before 1977, 20th Century Fox's greatest annual profits were $37,000,000; in 1977, the company earned $79,000,000. Although the film's cultural neutrality helped it to gain international success, Alan Ladd, Jr. became anxious during the premiere in Japan. After the screening, the audience was silent, leading Ladd, Jr. to fear that the film would be unsuccessful. He was later told that, in Japan, silence was the greatest honor to a film. Meanwhile, thousands attended a ceremony at Grauman's Chinese Theatre, where C-3PO, R2-D2 and Darth Vader placed their footprints in the theater's forecourt.[2] Although Star Wars merchandise was available to enthusiastic children upon release, only Kenner Toys — who believed that the film would be unsuccessful — had accepted Lippincott's licensing offers. A stunned Kenner responded to the sudden demand for toys by selling boxed vouchers in its "empty box" Christmas campaign; these vouchers could be redeemed for the toys in March 1978.[2] In 1978, at the height of the film's popularity, Smith-Hemion Productions approached Lucas with the idea of The Star Wars Holiday Special. The end result is often considered a failure.[17] The film was originally released as — and consequently often called — Star Wars, without Episode IV or the subtitle A New Hope. The 1980 sequel, Star Wars Episode V: The Empire Strikes Back, featured the episode number and subtitle in the opening crawl. When the original film was re-released in 1981, Episode IV: A New Hope was added above the original opening crawl. Although Lucas claims that only six films were ever planned, representatives of Lucasfilm discussed plans for nine or twelve possible films in early interviews.[18] The film was re-released theatrically in 1978, 1979, 1981, 1982 and 1997.
The DVD features a commentary track from George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher. The bonus disc contains the documentary Empire of Dreams: The Story of the Star Wars Trilogy, three featurettes, teaser and theatrical trailers, TV spots, still galleries, an exclusive preview of Star Wars Episode III: Revenge of the Sith, a playable Xbox demo of the LucasArts game Star Wars Battlefront, and a "Making Of" documentary on the Episode III video game. The set was reissued in December 2005 as part of a three-disc "limited edition" boxed set without the bonus disc. The trilogy was re-released on separate two-disc Limited Edition DVD sets from September 12, 2006 to December 31, 2006; the original versions of the films were added as bonus material. Controversy surrounded the release because the unaltered versions were from the 1993 non-anamorphic Laserdisc masters, and were not retransferred with modern video standards.[21]
In a 1977 review, Roger Ebert called the film "an out-of-body experience" and compared its special effects to those of 2001: A Space Odyssey, and opined that the true strength of the film was its "pure narrative".[23] Vincent Canby called the film "the movie that's going to entertain a lot of contemporary folk who have a soft spot for the virtually ritualized manners of comic-book adventure."[24] Pauline Kael of The New Yorker criticized the film, stating that "there's no breather in the picture, no lyricism", and that it had no "emotional grip".[25] Jonathon Rosenbaum of the Chicago Reader stated, "None of these characters has any depth, and they're all treated like the fanciful props and settings!"[26] Peter Keough of the Boston Phoenix said "Star Wars is a junkyard of cinematic gimcracks not unlike the Jawas' heap of purloined, discarded, barely functioning droids."[27] Stanley Kauffmann of The New Republic also responded negatively, noting, "His work here seems less inventive than in THX 1138."[28] According to rottentomatoes.com, of the 54 critical reviews of the film provided on that site, the consensus is, "The action and special effects are first rate."[28] In 1989, the U.S. National Film Registry of the Library of Congress selected the film as a "culturally, historically, or esthetically important" film.[29] In 2006, George Lucas' original screenplay was selected by the Writers Guild of America as the 68th greatest of all time.[30] The American Film Institute (or AFI) listed it 15th on a list of the top 100 films of the 20th century;[31] in the UK, a poll created by Channel Four named A New Hope (together with its successor, The Empire Strikes Back) the greatest film of all time.[32] The AFI has named Star Wars and specific elements of it to several of its "top 100 lists" of American cinema, compiled as a part of the Institute's 100th anniversary celebration. These include the twenty-seventh most thrilling American film of all-time,[33] and the thirty-ninth most inspirational American film of all-time.[34] Darth Vader was ranked as the third greatest film villain of all time, and Han Solo as the fourteenth greatest American film hero of all time, with Obi-Wan Kenobi thirty-seventh on the same list.[35] The oft repeated line "May the Force be with you" was ranked as the 8th greatest quote in American film history.[36] John Williams' score was ranked as the greatest American film score of all time.[37] Star Wars won several awards at the 1978 Academy Awards, including Best Art Direction-Set Decoration, which went to John Barry, Norman Reynolds, Leslie Dilley and Roger Christian. Best Costume Design was awarded to John Mollo; Best Film Editing went to Paul Hirsch, Marcia Lucas and Richard Chew; John Stears, John Dykstra, Richard Edlund, Grant McCune and Robert Blalack all received awards for Best Effects, Visual Effects. John Williams was awarded his third Oscar for Best Music, Original Score; the Best Sound went to Don MacDougall, Ray West, Bob Minkler and Derek Ball; and a Special Achievement for sound effects went to Ben Burtt. Additional nominations included Alec Guinness for Best Actor in a Supporting Role, George Lucas for Best Screenplay and Best Director, and Gary Kurtz was nominated for his producing duties in Best Picture.[38] At the Golden Globe awards, the film was nominated for Best Motion Picture - Drama, Best Director, Best Supporting Actor (Alec Guinness), and Best Score. It only won the award for Best Score.[38] It received six BAFTA nominations: Best Film, Best Editing, Best Costume, Best Production/Art Design, Best Sound, and Best Score; the film won in the latter two categories.[38] John Williams' soundtrack album won the Grammy award for Best Album of an original score for a motion picture or television program,[38] and the film was awarded the Hugo Award for Best Dramatic Presentation.[38] In 1997, the MTV Movie Awards awarded Chewbacca (played by Peter Mayhew) the lifetime achievement award for his work in the Star Wars trilogy.[38]
Actor Michael Shanks cited Star Wars as an influence on many battle scenes from the television series Stargate SG-1 namely "Fallen".[40] Joss Whedon's Serenity features several references: the spaceship Serenity, influenced by the Millennium Falcon; a "used future" where vehicles and culture are obviously dated; and clothing for its own evil empire.[41] After seeing Star Wars, director James Cameron quit his job as a truck driver to enter the film industry. Other filmmakers who have said to have been influenced by Star Wars include Peter Jackson, Ridley Scott, Dean Devlin, Roland Emmerich, and John Singleton. Many believe that the cinema-going experience had been changed drastically by the film.[9] Scott, like Whedon, was influenced by the "used future" and extended the concept for his science fiction horror film Alien. Jackson used the concept for his production of the Lord of the Rings trilogy to add a sense of realism and believability.[9] Critics of Lucas have blamed Star Wars for "ruining" Hollywood by shifting its focus from "sophisticated" and "relevant" films such as The Godfather, Taxi Driver, and Annie Hall to films about "spectacle" and "juvenile fantasy".[42] Peter Biskind complained for the same reason: "When all was said and done, Lucas and Spielberg returned the 1970s audience, grown sophisticated on a diet of European and New Hollywood films, to the simplicities of the pre-1960s Golden Age of movies… They marched backward through the looking-glass."[43][42]
Additional casting took place in London, England, where Peter Mayhew was cast as Chewbacca after Mayhew stood up to greet Lucas. Lucas immediately turned to Gary Kurtz, and requested that Mayhew be cast.[49] Anthony Daniels auditioned for and was cast as C-3PO after he saw a Ralph McQuarrie drawing of the character; struck by the vulnerabliity in the robot's face, he instantly wanted to help to bring the character to life.[2][50]
Star Wars was influenced by the 1958 Kurosawa film The Hidden Fortress; for instance, the two bickering peasants evolved into C-3PO and R2-D2, and a Japanese family crest seen in the film is similar to the Imperial Crest. Star Wars borrows heavily from another Kurosawa film, Yojimbo. In both films, several men threaten the hero, bragging how wanted they are by authorities. The situation ends with an arm being cut off by a blade. Mifune is offered "twenty-five ryo now, twenty-five when you complete the mission." whereas Han Solo is offered "Two thousand now, plus fifteen when we reach Alderaan." Lucas' affection for Kurosawa may have influenced his decision to visit Japan in the early 1970s, where he borrowed the name "Jedi" from jidaigeki (translated to English it reads "period dramas", or films typically featuring samurai).[57][56][58] Lucas drew inspiration from J. R. R. Tolkien's fantasy book The Lord of the Rings, in that Obi-Wan Kenobi and the Wizard Gandalf reincarnate, albeit in differing fashions, and Darth Vader and the Witch-king of Angmar are the chief servants of a higher evil power and dress in black. Luke watches the duel of Obi-Wan and Vader from across a chasm as Frodo witnessed the duel between Gandalf and the Balrog; both feature their respective blue and red melee weapons.[59] Tatooine is similar to Arrakis from Frank Herbert's book Dune. Arrakis is the only known source of a hallucinatory drug called the Spice Melange; Han Solo is a spice smuggler who has been through the spice mines of Kessel. Lucas' original concept of the film dealt heavily with the transport of spice, although the nature of the material remained unexplored. In the conversation at Obi-Wan Kenobi's home between Obi-Wan and Luke, Luke expresses a belief that his father was a navigator on a spice freighter. Other similarities include those between Princess Leia and Princess Alia (pronounced [ə.ˈliː.ə]), and between Jedi mind tricks and "The Voice", a controlling ability used by Bene Gesserit. In passing, Uncle Owen and Aunt Beru are "Moisture Farmers"; in Dune, Dew Collectors are used by Freman to "provide a small but reliable source of water".[60][61] The Death Star assault scene was modeled after the 1950s movie The Dam Busters, in which Royal Air Force Lancaster bombers fly along heavily defended reservoirs and aim "bouncing bombs" at their manmade dams to cripple the heavy industry of the Ruhr. Some of the dialogue in The Dam Busters is repeated in the A New Hope climax; Gilbert Taylor also filmed the special effects sequences in The Dam Busters.[62][58] In addition, the sequence was partially inspired by the climax of the film 633 Squadron directed by Walter Grauman.[63] The opening shot of A New Hope, in which a detailed spaceship fills the screen overhead, is a nod to the scene introducing the interplanetary spacecraft Discovery One in Stanley Kubrick's seminal 1968 film 2001: A Space Odyssey. The earlier big-budget science fiction film influenced the look of A New Hope in many other ways, including the use of EVA pods, hexagonal corridors, and primitive computer graphics. The orbiting space station in 2001 has a docking bay reminiscent of the one on the Death Star.[64] The film also draws on The Wizard of Oz: similarities exist between Jawas and Munchkins, the main characters disguise themselves as enemy soldiers, and Obi-Wan dies, leaving only his empty robe in the same fashion as the Wicked Witch of the West.[65][66] Although golden and male, C-3PO is inspired by the robot Maria from Fritz Lang's 1927 film Metropolis. His whirring sounds were speculated to be inspired by the clanking noises of the Tin Woodsman in The Wizard of Oz.[67][68]
Lucas wanted a grand musical sound for Star Wars, with leitmotifs to provide distinction. Therefore, he assembled his favorite orchestral pieces for the soundtrack, until John Williams convinced him that an original score would be unique and more unified. However, a few of Williams pieces were influenced by the tracks given to him by Lucas. The "Main Title Theme" was inspired by the theme from the 1942 film King's Row, scored by Erich Wolfgang Korngold, and the track "Dune Sea of Tatooine" drew from the soundtrack from Bicycle Thieves, scored by Alessandro Cicognini.[51]
Smaller details were also changed; for example, in the Death Star assault, Luke's callsign is Blue Five instead of Red Five as in the film. Charles Lippincott secured the deal with Del Rey Books to publish the novelization in November 1976. By February 1977, a half million copies had been sold.[2]
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